Vincenzo Coronelli (August 16, 1650 – December 9, 1718) was a Franciscan friar, cosmographer, cartographer, publisher, and encyclopedist known in particular for his atlases and globes. He spent most of his life in Venice. He produced celestial and terrestrial globes of different sizes and was one of the leading representatives of Italian globemaking art. His more noteworthy productions include the two entirely manuscript globes of about four meters in diameter built for Louis XIV (1638-1715), King of France. He drew many geographic maps published in atlases including the Atlante veneto (Venice, 1691) and the Isolario (1696-98). In about 1684, he founded the Accademia Cosmografica degli Argonauti in Venice. But Coronelli was not only a mapmaker. In fact, he took an interest in many areas of science. A fairly well known figure across Europe, he played a lively part in the scientific discussions over the astronomical discoveries of Galileo Galilei (1564-1642), Johannes Kepler (1571-1630), and Isaac Newton (1642-1727). He was also a friend of eminent scientists of his day such as Edmond Halley (1656-1742) and Giovanni Domenico Cassini (1625-1712). [Museo Galileo – Institute and Museum of the History of Science, Florence (Italy)]
Coronelli was the first globe-maker to produce an atlas of globes. Such was his Libro dei Globi, first published in 1697. Within the covers of a book he provided a record of all the globes he had made, from the smallest, the 2-inch printed globes, to the largest, the 15-foot MS globes made in Paris and presented in 1583 to King Louis XIV of France. The Libro dei Globi thus combined the two cartographic art-forms in which Coronelli excelled, the atlas and the globe. [H. Wallis. Coronelli’s Libro dei Globi. British Museum, London, 1969]
In the present celestial globe, the gores for the 15-foot version were scanned at high resolution and reduced to form a 15 cm diameter globe. A blue background and a yellow color to the stars were added.
Almost two years already passed since I published my first (and last) post on “Remaking the Heavens”. Well, I worked on it, but not enough…
The first thing I did was to scan the pages of the “Libro dei Globi”. That book contains several series of celestial (and terrestrial, too) gores for making globes of different size. I chose the series with maximum size, since it allows to reach optimum image resolution. Due to the size of the book (35×51 cm), and to ensure optimal results, I have committed the job to a professional firm (Be.One.Digital). Three typesof images (.tiff) were produced: colored (as it is), grey scale, and b/n. The b/n version resulted the best in terms of definition and clearness, suitable for being colored.
Then, I prepared the 3D model of the sphere (24 half-gores with 36 meridional segments). I decided to subdivide the sphere into 24 gores, instead of the classical 12 gores in order to improve the spherical shape of the globe. The assembling procedure will be longer, but the gores will be easier to handle.
Previously believed to be only man-made, a natural example of a functioning gear mechanism has been discovered in a common insect – showing that evolution developed interlocking cogs long before we did.
Note: texture modified from the original by 3DTaxi
A Fabergé egg (Russian: Яйца Фаберже́; yaytsa faberzhe) is one of a limited number of jeweled eggs created by Peter Carl Fabergé and his company between 1885 and 1917. The most famous are those made for the Russian Tsars Alexander III and Nicholas II as Easter gifts for their wives and mothers, often called the ‘Imperial’ Fabergé eggs. The House of Fabergé made about 50 eggs, of which 43 have survived. Two more were planned for Easter 1918, but were not delivered, due to the Russian Revolution. [from Wikipedia]
In 1972, from a distance of about 45,000 km (28,000 mi), the crew of Apollo 17 took one of the most famous photographs ever made of the Earth.
This original Blue Marble inspired later images of the Earth compiled from satellite data. In 2000, NASA data visualizers compiled an image of the western hemisphere using data from the National Oceanic and Atmospheric Administration’s GOES-8 and Advanced Very High Resolution Radiometer, and NASA and Orbital Sciences Corporation’s Sea-viewing Wide Field-of-view Sensor.
In 2002, NASA produced the Blue Marble, the most detailed true-color image of the Earth’s surface ever produced. Using data from NASA’s Terra satellite, scientists and data visualizers stitched together four months of observations of the land surface, coastal oceans, sea ice, and clouds into a seamless, photo-like mosaic of every square kilometer (.386 square mile) of our planet. In October 2005, NASA released a new version of the spectacular image collection that provides a full year’s worth of monthly observations (referred to 2004) with twice the level of detail as the original. The new collection was called:
Romeo was our most beloved cat. He died last year. Last spring we adopted a new kitten, who was lost in the middle of the Karst, where we live. We gave him the name of Romeo, again, because of its likeness to the previous Romeo. This paper model derives from the original 3D model by Xavier Abaziou, downloaded from www.thingiverse.com and subsequently modified. The model is 35 cm high and was optimized for A3 format paper (200 g/m2).
Romeo fu il nostro gatto più amato. Morì l’anno scorso. La scorsa primavera adottammo un altro gattino che si era perso nel Carso, l’area dove abitiamo. Gli abbiamo dato il nome di Romeo, di nuovo, a causa della sua somiglianza col primo Romeo. Questo modello di carta deriva dal modello 3D originale di Xavier Abaziou, scaricato dal sito www.thingiverse.com e successivamente modificato. Il modello è alto 35 cm ed è stato ottimizzato per il formato A3 e carta da 200 g/m2.
Hello! My name is Giuseppe Civitarese (aka Pino), from Visintini, Italy. I am an oceanographer, and in my second life I am a card models builder and designer. My passion for paper modelling began in 2000, when I decided to build a paper castle for my little nephew Matteo. Later, Matteo never built any paper model. On the other hand, since then I've never abandoned this hobby. My specific interest is in designing paper automata, and terrestrial and celestial globes from digital replicas of antique maps.